OCR by LoudCrazyHeart
Run! Come on!
Its heart will burst at any moment.
Could you stop please?
I can’t stand it any longer.
Relax. Can’t you see I’m working?
I can’t stand to see that poor animal die.
Then shut your eyes.
I told you we shouldn’t have come.
Stop!
I can’t stand it!
Where are you going?
Keep shooting!
Where are you going?
Nowhere, I just wanted to stop you from killing that poor gazelle.
Well, you’ve succeeded.
Now I have to film you instead of the gazelle.
Well, I don’t want to be in your film.
It’s too late; it’s already done.
Put in the spare can of petrol.
Here.
It’s empty.
The cap was loose.
Is there anything wrong?
Well, it’s obvious, Ms. Davis: No more petrol.
Oh, that’s airight.
Now we’re even worse off than the gazelle, hm?
I always did like the unexpected.
Did any of you bring some extra water?
But I thought you were supposed to do that.
Ms. Davis, let’s make everything straight once and for all.
Did I invite you to come along?
No, it was someone else in your group.
A certain Signor Rossi.
Well, if you have any complaints to make,
make them to Singor Rossi.
Signor Rossi’s not with us.
At the very most I’m responsible for this lady
and this gentleman that I invited on the
clear understanding that we were going on a gazelle hunt.
To me Signor Rossi said a drive across the desert.
He didn’t say you’d hunt gazelles.
How many miles have we come into the desert?
Sixty miles.
The best thing to do is to walk back to the trail,
then hope and pray somebody comes along.
And what if nobody comes along?
One thing’s certain:
If we stay here nobody II come along.
Let’s go.
Okay.
Wait a minute! He has water!
He was drinking! I saw him!
Don’t be hysterical, Ms. Davis.
Nobody’s drinking.
But Fm sure he was drinking.
- There is water. - Look!
This is empty.
If any of you in this extremely dramatic moment...
You must realize the predicament we’re in.
Would care to...
record a statement of any sort, you can do it now.
You mean...
Are you suggesting we record our last will and testament?
Well, if any of you...
feel that’s necessary, why not?
Why are you doing this?
Haven’t we had enough bad luck as it is?
I... I...
Yes, Mr. Klaus?
Mrs. Bates.
What would you give for a glass of water?
A year of my life.
Or else?
Or else what?
How long have you been married?
I don’t like the tone of your question.
Airight.
Let’s change the subject.
Mrs. Bates.
Would you be unfaithful to your husband for a glass of water?
That’s enough!
Listen!
You sure their ship docked at Aden?
Yes, but you’ll have to change planes in Cairo
in order to get to Aden,
and I’m not sure you’ll find a connection there.
Well, I can always rent one.
While you’re at it why don’t you buy one, eh?
Fine. Why not?
Oh, why not, like hell.
I try to organize things as best I can
so you can make your film,
and you leave us all high and dry
so you can run after a girl.
She’s not any old woman.
She’s useful. I can’t do without her.
I’ll catch up with her on the ship and I’ll bring her...
- with us to Singapore. - Airight.
You realize that I have to clear this with Rome.
It’s already done. I had the producer on the phone.
He said the material was fantastic, Cairo.
All I need is a few days
and III be in Singapore with her.
Airight.
- Ciao. - Ciao.
Thanks a lot.
Get my bag, I’m in a hurry.
The bag!
I’m taking that boat there.
Airight, thanks.
One thing I’m sure about; he’s coming for you.
What are you going to do about it?
- What do you mean? - I mean that...
You know perfectly well you’re free to do what you want.
But if I were you I wouldn’t trust that man.
Why, you still think that that incident in the desert...
was nothing but a trick to get a life-like scene
for his documentary?
Don’t you?
No, I don’t.
Will you please leave me alone?
You’re wasting your time chasing after me.
And besides, it’s very embarrassing.
I could either say nothing,
which as far as I’m concerned is like saying yes...
or I could make a row, which I don’t intend to do.
Why don’t you want to make a row?
Because my husband’s here.
If I were alone I would.
But with my husband...
it makes me look like an outraged little wife.
A part which I have&t the slightest desire to play.
Now listen, Barbara.
You’re already part of my documentary and...
You should be in the rest of it.
You wo&t appear all the time, of course.
You would play the part of a straight-laced Anglo-Saxon woman
who’s always being shocked.
At the same time she’s falling for the so-called...
lure of the Orient.
You’ve got it all worked out, haven’t you?
You’re chasing after me just to make use of me.
Why, yes, I... intend to make use of you.
Do you always make use of the persons you love?
In a certain way, yes.
You, for example, are...
a kind of object that can be made use of.
In a number of ways.
Making love.
Companionship, perhaps.
As a character in my film.
And later on, no doubt,
I’ll discover other uses for you.
Of course you’ll have to leave your husband.
I shall do nothing of the sort.
My husband at least treats me like a human being.
I can think of nothing more degrading
than becoming an object, as you say.
Stop kidding yourself.
Now listen to me.
There’s nothing you want more than to be degraded.
Thanks.
Why don’t you go to his table?
It would be much less embarrassing,
especially for you.
Hmph. It’s sad.
Even in Japan, everything’s changing.
What, for example?
Women.
Even there they want to be emancipated.
They don’t look up to men anymore,
like the one over there.
Do you want women to be objects?
Barbara, it’s not a question of preference.
They are objects as far as sex is concerned,
and that’s what counts.
You know, if I were the sort of woman you seem to prefer,
I wouldn’t be here talking to you now.
What’s there to stop you from being here with me?
- My husband. - Why doesn’t he?
Don’t you understand?
We have a civilized relationship.
Based on friendship and understanding.
You think so?
Well, I at least keep the objects
that belong to me near at hand.
If you really want to know, I told him you kissed me.
When did you tell him?
Last night I couldn’t sleep because of the heat.
And what did he say?
He said I wasn’t to trust you.
- Is that all? -No.
He smoked a cigarette.
And afterwards I suppose you made love.
If you tell him what you do with me,
you’ll have to tell me what you do with him.
Well, it’s not the same thing.
Did you make love or didn’t you?
Yes.
If I hadn’t come you would have left the ship at Singapore.
Without even saying goodbye.
You’re leaving the boat with me.
I’ve already booked a room for you at the Cathe Hotel.
Do you really care about me?
I may well need you.
- What for? - Why, for the film.
Do you really care about me?
Get undressed.
Al right, that’s enough. We’ve shot too much of this.
It’s the kind of scene nobody would believe is true.
Do you think so?
It’s quite obvious they’re deaf and dumb.
Come on.
Tell Rossi to wait at the Jeep.
Airight.
Why don’t you go with one of them?
Me?
What are you doing?
I want to see how the deaf and dumb make love.
Come on.
Do you beat them with it?
Yes, whenever they ask for it.
What do you mean, exactly?
More so than with the whip.
We cure them with faith. Come.
These people come here with the will to be healed.
And if they are not strong enough
to overcome the desire for opium,
they can ask to be whipped.
But do you believe they would ask to be whipped?
Of course. Physical pain makes one forget most desires.
But, uh...
Why do they sleep in the open?
To stay in close contact with nature,
which is the highest manifestation of purity.
Man’s destruction begins when he leaves nature.
Ah, here is where they sleep if it rains at night.
Well, doctor...
It’s all magnificent, but...
It’s not very much movie-wise.
Do you understand?
What means have you to help these opium addicts?
With whatever little charity we receive.
Look, I’m ready to make charity enough
to get these gentlemen fat as Budd has.
Of course, I’ll have to make some changes when I shoot.
If you agree, well, you’ll be satisfied.
- Uh-huh? - Yes.
Make Barbara as a contrast now and then.
Harder! Like that.
The one over there.
Enough! Finished!
Stop shooting.
We’ve got a good scene.
I would never have believed such a thing.
What a way to kill the sick.
- You fell for it? - What do you mean?
Didn’t you realize that almost the whole scene was faked?
Faked?
And what about all those people being beaten?
Weren’t they drug addicts?
Barbara, come on. Don’t be naive.
The only real thing about the scene was you.
And even that was too much.
Barbara, reality is boring. Lies are entertaining.
Rossi.
What about those men in a trance?
Is it true or just a figment of your imagination?
I’m told we can find that in Siam.
Alright, I’ll go anywhere you suggest.
But next time don’t take me on one of your wild goose chases.
Thanks, now if you don’t mind I’m going to get some sleep.
Barbara.
- You cant leave. - Let go. I’m going.
- My husband was right. - When and where?
Even in the desert, everything was planned.
First the water which wasn’t there,
and then the rescue.
Correct.
Don’t be an idiot.
- Come here! - You bastard, stop it!
You’re just a coward!
What you’re trying to do
is something low, filthy, and horrible!
- Treating people just like-- Like what they are: Objects.
But were all like that, Barbara.
I am and you are.
Kiss me. Kiss me.
What would you say to a trip to Rome?
To Rome?
Why not?
We could fly there.
We’d be back in two days.
Do you mean it?
Were you talking seriously about that trip to Rome?
No.
I was joking.
With all the important things we have to do,
our plans for Vietnam,
and I’m still awaiting an answer from the Chinese consulate.
It’s very important for me.
- Are we going to China as well? - Yes...
provided we get our visas.
I’ve got some fabulous ideas for the film.
Life in the communes, for example, you know.
The men live in one part, the women in another.
So making love is a sort of military exercise,
by numbers, you know.
Then a big sequence on the...
schoolchildren being brainwashed
with the thoughts of Chairman Mao.
But my film will finish in the States.
Yes, in the world of astronauts, plastic flowers.
Transistors.
It sounds fabulous.
Just a minute.
I know very well it’s not Saigon here...
but if I were you I would think about my offer.
It would be a great act of faith.
What a magnificent opportunity at spreading your creed
at a time when mankind has lost all its faith
in itself and in God?
Your proposal seems to me quite absurd.
Here, at any rate...
but perhaps it is only a question of latitude.
I suggest you go to Saigon.
Excuse me.
What were you talking about?
I was trying to make a deal with him.
What kind of a deal?
In front of the temple.
Just think what a horrible, terrifying spectacle it would be
if he set himself on fire.
If who set himself on fire?
That Buddhist priest.
That’s what I was asking him to do.
And while he burned himself in protest
against the war in Vietnam, you and I would be making love.
But that’s monstrous.
Why?
People are dying all over the world, and...
just think how many others are kissing and making love.
What difference is there if we make love a thousand miles away
or under the nose of a burning priest?
Come on.
I want to make love, the real thing, not for the film.
- Paolo, I think we’re in luck. - What do you mean?
I fixed us an appointment
with that English hunter I was telling you about.
Why? Does he know something?
It looks like he does.
- Glad to meet you. - My pleasure.
So you know exactly what we’re looking for.
My friend must have told you
about the information we’ve been given.
Yes, he mentioned it to me,
but look, I’ve lived here for many years.
I know the way things work here.
Everyone is ready to give you information,
but most of the time its false.
I..
Pretty, isn’t she?
But it’s no use; she’s in love with me.
You still haven’t told us...
if you know where we can find
these men who go into a trance.
Well, I know they exist...
and I know more or less you can find them along the border
between Malay and Siam, where there’s famine.
But there is one area where I...
I’m sure it takes place.
And the sultan there happens to be a good friend of mine.
We’re like brothers.
- Let’s get going, then. - Just a moment.
It’s not as easy as all that.
We’ll have to organize a properly-equipped expedition
if we’re going to get there in one piece.
It’s the only way.
The place is infested with dangerous animals.
Alright, but we’re not easily frightened.
- Don’t worry-- When do we leave?
You won’t run any risks as long as I’m with you.
We can leave tomorrow if I can get everything ready.
- We should get an early start-- Alright, then it’s agreed.
You’ll take care of everything.
Yes, I will.
Airight.
Well? Shall we go?
You go ahead.
I’ll see you back at the hotel.
I’ll probably stay here.
What about Barbara?
Don’t worry about that.
What are you waiting for? Go on; I feel like sleeping alone.
Okay.
Hey, come on.
Tell me something.
Does he send you to bed with all his clients?
Don’t worry about the buffalo.
I know how to make them miss if they charge us.
That’s good. You mean a twist of the hips.
Like the matadors do. Ole!
Imagine what a marvelous scene it could be.
Wild buffalo charging and...
Barbara on her knees pointing a rifle.
Why always me?
Because of the public.
Audiences are masochistic and sadistic.
A pretty girl with a rifle arouses their masochism.
The same girl, helpless and unarmed,
their sadism.
There are no good or bad films.
They’re just those with our without the...
occasional stimulation that makes the public
digest the rest of the film.
This way.
Follow me.
Said! Said!
That’s one of his dogs.
- He has a lot of them. - That one’s a bit mangy.
Hey, there’s somebody there.
That’s Said.
That’s him.
Said.
The sultan says that his palace is at your disposal.
Ask him where we can find the men in a trance.
Well get around to that later.
Oh, wait a minute.
He wants to know if we can give him
some of our European food.
This man is starving. No wonder he’s so thin.
Ruggero, go and get him a tin of beef.
Right.
I’m sorry, but...
The sultan was telling me that...
there are no more men in trances.
There was an epidemic and they all died.
I’m sorry.
We couldn’t stand the stench in there.
I shall need a lot of butterflies.
There are lots of them around here.
Well, I’ll need a thousand. Maybe more.
I’ll see what I can do...
if the others will give me a hand.
Well, I can help too. The lighter.
What are you going to do with so many butterflies?
I’ll explain to you later. There’s plenty of time.
We start shooting tomorrow morning at dawn.
Airight.
Try to catch one! Try to catch one!
Look how beautiful they are.
Now look at me, look at me, look at me.
Look at me.
Look now. Slowly.
Try to catch one. Try to catch one.
Look at me.
Look at me now, look at me, look at me.
Turn around.
Like this, yes. Good, good.
Keep reaching.
That’s right.
Good.
Try to catch one now. Try to catch one.
Go take a close-up of it.
Come on.
Go get a butterfly.
That’s right. Good.
Try harder.
Try to Try to catch one. catch one!
Take to the it and give it sultan to eat.
- Eat? - Go and give it to him!
Eat!
You have to eat it. Eat, yes.
Good, good.
Tragic, isn’t it?
The old sultan reduced to eating butterflies.
Come this way now.
Slowly.
Onto the carpet.
That’s right.
Look at the sky now.
You can hear the tinkling of the temple bells.
You ate very well,
so you want to sleep now.
You are very happy.
Lie down very slowly. Slowly.
No, no. Stop, stop, stop!
It’s no good like this.
Look at me. Just look at me.
Look. I’m arriving here, and...
First of all never look at the camera.
Never. Now don’t look at the camera.
You arrive here. You’re very happy.
You see a marvelous pool there which reflects the sky.
You ate very well; you feel well.
Alright?
Yes, and then you lie down very slowly.
Very slowly. Content, with a smile.
A smile.
Then you just lie back...
and then, very happy, you go to sleep.
You must look very peaceful.
Airight? Now, ready. Again.
Go. Rolling. Action.
Come on, now. Very slowly.
You’re happy. Look at me.
Very slowly.
Yes, like this, and look at the sky.
You smile. Smile.
Come on. That’s right, like that.
You just sit down now. Sit down very slowly.
Very slowly.
Slowly.
Very happy.
Yes.
Now put your two hands under your head,
and slowly go to sleep.
Very slowly.
And then you hear the music of the tinkling...
of the temple bells.
So close your eyes very slowly and you sleep.
Sleep.
Close your eyes. Sleep.
That’s a good boy.
Stop.
Give him a tin of beef because he’s been good.
Go and tell him that...
I would like to buy one of his wives.
No.
Oh, I’m sure he’s going to accept.
Come on.
Ready.
Look.
Tell him that I would like to buy one of his wives.
And you’re going to have a lot more.
He says no.
That’s very touching.
Well, that’s about it for now.
You know I felt so sorry for the sultan today.
I don’t think I ever felt so sorry for anyone.
That’s a good sign.
What do you mean?
If you felt sorry for him,
it means that the public probably will, too.
Oh, but I feel sorry for the real sultan.
Not for the one who’ll appear on the screen.
You are much too attached to reality.
You see a degraded, humiliated man,
and you don’t realize that through him I’m representing
the decline of the Orient.
The decline we see in this film is the decline of the West,
which reduces everything to merchandise.
To products for mass consumption.
Even the suicide of a Buddhist priest.
What are you getting so excited about?
You think you’re very clever.
Very cynical, very self-confident.
But the truth is you’re nothing but an instrument.
The really guilty person is somewhere else,
waiting for you to make your film full of lies and scandals.
Waiting for you to make money.
I don’t know who this person is.
But I feel he’s present among us.
Have you finished?
That’s enough for now.
Do you think you’ve told me something new?
Do you think you’ve broken though
some barrier of human understanding?
Now listen to me.
I have decided once and for all where my place in life is.
With the bosses.
Yes, with the bosses.
And I’m not ashamed of it like many others.
- What’s going on? - Just a minute.
Hey, how’s about a dance?
- Take your hands off me. - Come on, honey.
Just one little dance.
H&s not even looking at you.
Paolo.
- Yes, what’s the matter? - Look.
- Why don’t you go to bed? - Airight.
Hold this.
How’s about that dance, huh?
Please go away.
He has understood. Let’s talk privately.
Look, we better talk somewhere else.
- Alright. - But Paolo, what about me?
Wait for me or go back to the hotel.
He ditched you.
- Let’s go to the MCL club. - Go away.
- Why not? - Please, sit down.
- Mr. Rosso-- No, thanks.
I’m sorry, sorry.
My friend here tells me that you know
everything going on in Saigon.
Do you know where and when the monks,
the Buddhist monks, set themselves on fire?
We realize that.
Alright, but Fve got a film to make.
I can’t hang around waiting forever.
Here is a list of everything Mr. Rosso requested.
Bombings, executions, even the burning of a monk.
These boys have promised to let me know
as soon as they hear something big is gonna happen.
Airight, let’s make a deal.
If you find me a monk willing to burn himself alive,
I’ll pay you two,
plus a generous donation to the Buddhist community.
Well, if you will excuse us,
we will be in touch with you
if we have any further information.
- Airight. - Well, what did you expect?
They must think you’re out of your mind.
No, you don’t know these people.
They would sell their mother for a package of cigarettes.
Whered you find those two?
Outside Saigon, about 20 miles,
in a village where the Vietcong have set up a command post.
Alright, take me there.
Get Valentino out of bed and we’ll be off.
Paolo, darling, come and dance with me.
- Come on, stupid, we’re going. - Won’t you?
Oh, Rosso, you too.
You’re always so serious.
- Come on now. - Oh, but why not?
I don’t want to go.
Oh, please don’t take me.
I don’t want to go.
Oh, Paolo.
The tripod!
Here, hold this a minute.
Listen, they’re not playing around.
And I’m a much better target than you are.
They’re not shooting in our direction-Don’t
lose time talking.
Oh my God, now we’ve really had it.
We are Italian journalists.
Journalists.
Italian journalists.
I’m only here to-I’m
a journalist.
An Italian... journalist.
Paolo.
Go in.
Get me some morphine out of the first-aid box.
Could have been worse.
The Vietcong found a pistol on him.
Come on, quick.
Did you get any film of me when I was being beaten?
No.
Well, we’d better be going.
If you need us just call.
No. Not now.
I want to sleep.
It would be a relief to me to know that you’re happy,
but I doubt it, Barbara.
I leave for the States tomorrow.
You can join me there whenever you want to.
I’ll be waiting for you.
More bombs here than at the front.
Think they’ll blow up the hotel?
We’re wasting a hell of a lot of film.
Never mind. Keep shooting.
Okay.
What do you think they’re doing, shooting a picture or something?
I don’t know. Ask him.
- What’s going on? - I’m a reporter.
Same old crap, man.
That’s one way of keeping the population
in a state of panic.
Yeah, but sometimes these bomb scares...
They’re gonna get real, man, you know?
They’re blasting everything they can lay their hands on.
The bastards.
We caught eight Vietcong in a raid this morning.
- Did you shoot them? - No, they’re being tried.
Probably some of them will be executed tonight
in the public square as an example.
Did you... torture them?
Mm-hm.
Stop shooting.
There’s nothing happening.
Let’s go.
They could easily plant a bomb in our hotel, too.
And this time it might go off.
Who the hell cares?
When your number comes up that’s it.
You can slip on a banana skin, too.
The Pope’s getting involved.
If the war will finish that’s bad for us.
Yes, you can play the big hero...
But if the film goes well,
you will make all the money.
But for me it doesn’t change a thing.
Just do your job well,
and I promise there’ll be a lot for everyone.
But what more do you want me to do?
Just being here with you is dangerous enough.
You know, one of these days Ruggero
is just going to pack up and leave.
He can do as he likes, as far as I’m concerned.
I’ve no need for yellow bellies.
Well, I happen to need him.
Airight, airight.
Don’t worry about it; I’ll talk to him.
I thought you had ideas like mine.
That you like this way of life.
You always dreamt of going to China.
Well, we’re nearly there.
It’s not the same anymore.
Something has changed.
What?
I’m still the same and you are too.
Maybe you still are the same.
But the war was not on the program.
What war? Look around.
We always loved the risk.
We?
You always speak in the plural.
I followed you and I’m still following you
for God knows what reason.
Come on, you’re tired.
You know who’s been a surprise? Barbara.
And she’s a woman,
how well she adapts to everything.
Did she have any choice?
You don’t think that she’s happy, do you?
Cut it out, I have too much to think about.
Light’s going fast. If they don’t arrive soon...
There they are. Come on.
A closeup.
Closer.
We are journalists.
We want to film this.
Come on, Valentino. Here.
Take them from this angle. Here, quick.
There’s not enough light there.
Look, sir, we need a place with more light.
Shut up! Get out of the way.
Please, it’s for the camera.
We can’t shoot our film there.
- We need more light. - Shut up.
Get out of my way.
Do us a favor, please, won’t you?
Against the white wall there.
It’s only a few yards to the white wall.
What do you have to lose?
It’s the only way we can shoot the scene.
Please!
Now tape the soldiers, quick!
Get out of here!
Go away!
A closeup against the wall!
Stop.
What did you have to pay them for the information?
- 500 dollars. - What information?
A terrorist bombing.
How can you be sure there’ll be one?
I’m not.
It’s a chance we’ll have to take.
When will it take place?
At midnight tomorrow.
Where?
From there with a bazooka at midnight.
There are no windows here.
They’ll have to fire at the door.
If you shot the scene from here
you’d be perfectly safe.
Yes.
The shell will hit more or less where Barbara is sitting,
and you’ll be safe from the blast behind this thick wall.
You’ll have plenty of time to get some good shots
of the customers before the explosion.
But you’re joking, aren’t you?
No, I’m speaking perfectly seriously.
I wouldn’t miss this if it cost me my life.
You mean my life!
You can see for yourself that you’d be perfectly safe here.
Forget it.
I’m not standing there or anywhere else.
Listen to me.
I’ll tell you another thing too.
I’m going back, straight back to Rome.
And I’m leaving right now.
While I’m still in one piece.
Very well.
I’ll shoot the scene by myself.
Is it alright now?
Is it airight or not?
Airight.
Shall we go?
You can see how difficult it is
to work with these people.
I have to do it all by myself.
I don’t intend to give you my opinion
on what you’re about to do.
It wouldn’t be much use anyway, would it?
No, it wouldn’t.
But just tell me one thing
I’ve wanted to know for a long time.
You’re prepared to risk your life, but what for?
Is it to make a great film,
or is it because you just don’t give a damn
about anything or anyone?
I’ve never thought about it.
But I don’t have much choice now.
- The others are scared. - And you are not?
A little.
I feel empty inside.
I really don’t know why I go on staying with you.
But with me you’ve been living life to the full,
really living.
What would you do with a so-called “normal” life?
You eat, you sleep, and then what?
You want to make love with me?
If you want.
What is it?
You’re afraid somebody will see us?
No.
I’ve even got over that.
Good for you.
That’s the way I like you to be.
That’s enough here.
Let’s take the other side now.
These over here.
Hey, enough of that. Go away.
That girl there.
It’s almost time.
I’m going to get ready outside.
What are you doing here?
Why didn’t you stay in the hotel?
I didn’t want to be alone.
I’ll keep out of your way.
Vale nt in o. Come here.
- If you ask me he’s crazy. - You’re right.
I wish there was some way to stop him.
Everything ready?
Cameras, film loaded, lenses?
Of course.
Well done.
Now listen.
Make a last sacrifice and... I’ll see you get a huge bonus.
You know I could have bet on it.
This happens every time.
But it’s not because I’m afraid.
We aren’t running any risks in there.
It’s just that...
The scene would be much bigger filmed by you.
Save your breath.
You said you were going in there.
Well, go ahead.
Get the camera and go inside!
That’s an order now.
You’re insane.
And we’re even more insane to have come with you!
Airight, I’ll make sure you’ll regret this.
I’ll talk to you later.
Come on.
Give me the camera and the battery.
Not this one. The new one.
After the explosion come in and film the scene
even if you find me dead, is that clear?
Quite clear.
Don’t be afraid.
Everyone here is exaggerating.
I won’t get a scratch where I’ll be standing.
Paolo.
Turn off that light.
Easy.
- Come on, honey. - No, no.
- Drink up, come on. - No thank you.
You little darlings, you.
Ruggero.
How much film have I got left?
- Almost finished. - Get another reel, quick.
Damn. It would happen now.
Come on, run!
Doctor. Doctor.
Valentino, I got it!
I got the explosion!
I got it!
Keep shooting! Take closeups.
Keep shooting!
I got the explosion! I filmed it!
Keep shooting, Valentino! I got it!
I want closeups,
all the closeups you can get!
Keep out of the way!
Come on, help me!
My God.
Get me on film.